Space Mountain Concourse

Tim

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W-I-D-E angle... remember this one, Roger?

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What an eye. I am in awe. It's amazing how after seeing these structures all those times (we rode it 3 times) that you miss these details.
 
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Yes, I do remember that. Boy we did run into some nice CMs during that trip - there, at Fantasmic!....

Of, course, the widest I could have done there would have been 27mm, now I could do 22mm. Was that about 17/18?
 
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thanks, biblio...
17-40 is the zoom range in millimeters, and f/4 is the aperture.
 
Thanks Tim...but still...unless it is a picture of a face, a mountain or a moon on the viewscreen on my camera, I'm not sure what the settings are!
 
Let's call Tim's picture Exhibit #1 for full frame.

Then we'll call my picture Exhibit #2 for APS-C.

<img src="http://www.themeparkphotos.us/cpg140/albums/uploads/072107/A/IMG_8374.jpg" />

Since I'm not going to buy a wide-angle lens that can only be used on three* Canon SLRs, film or digital, this is one example where the wide angle ability superiority of full frame comes into play.

Okay Tim, "FINISH HIM"

* As of July 2007. 3 is out of 6 current models being manufactured, and of all the dSLRs produced by Canon, the total number is 4 that can use this lens.
**Poster's note: Other dSLR manufacturers (my post is brought to you by the letters N, P and O) have wide angle lenses that will work on basically all of their dSLRs.
 
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I HAD the 10-22 ef-s but that was sacrificed to the ebay gods when the 5d came into my grubby little hands. I agree that canon needs to make a true wide angle without the gimmicky -s mount. I was unsure of that when I got the 10-22 but luckily recouped most of what I paid for it when I sold it. Build quality on the -s was not too impressive, esp. Vs the "L" family, which are built like tanks. Unfair comparison, but true.
 
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Tim, what was the EXIF on that picture? My riverwalk pic is making me think about something that I believe is correct, but not sure of.
 
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but tim, let's also be fair about the image quality of some of the ef-s mounts

i have 2, the 10-22 and the 17-55 f2.8 ISm, these seem to me to be 2 of the best lenses i currently own, esp the 17-55, more than 1 person has web reviewed this lens and stated that they feel it's an L quality image maker, just not an L in name or build, 90% of my european trip photos were with the 17-55
so even though i have just made the move to full frame 5d, i'll be keeping my xti as a backup and to use for the reach crop factor on my bird lenses.my basic motivation for the 5d purchase was that i do a fair amount of low/available light stuff, particularly outdoor music festivals, and i felt i really could make a quality increase with full frame for these conditions
and just to throw it out there, i have long owned a number of L grade lenses, i always felt i would eventually make the move to full frame as it became more affordable and market driven, plus i have been a firm believer in the adage that good glass, properly cared for always stays good
 
&quot;rlongenbach&quot; said:
Tim, what was the EXIF on that picture? My riverwalk pic is making me think about something that I believe is correct, but not sure of.

ISO 100, f/4, 4"
 
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I was right; because of the DOF differences between 1x and 1.6x, my exposure time was a lot less, about 3 2/3 EV more. I noticed something was odd when I was down on the Riverwalk getting 20 second exposures that I would never dream of with my 30D -even when pushed to f/22.
 
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Do you expect any of us (other than you) to know the Dewey Decimal System???
[me=rlongenbach]hides in fear of Conan the Librarian whilst searching the 778.3 section for digital photography books[/me]
 
Just trying to impress you guys!

Since most of my photos look like pictures that Tim took with a tin can, I needed to have something to throw into the conversation.
 
dude, did you just make a reference to WEIRD AL on my message boards? :o ;D :D
 
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They're not here for you Frank. Weird Al's on the plane.
 
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